Happy New Release Tuesday!

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MacKayla Lane and Jericho Barrons return in the epic conclusion to the pulse-pounding Fever series, where a world thrown into chaos grows more treacherous at every turn.

As Mac, Barrons, Ryodan, and Jada struggle to restore control, enemies become allies, right and wrong cease to exist, and the lines between life and death, lust and love, disappear completely. Black holes loom menacingly over Dublin, threatening to destroy the earth, yet the greatest danger is the one MacKayla Lane has unleashed from within: The Sinsar Dubh—a sentient book of unthinkable evil—has possessed her body and will stop at nothing in its insatiable quest for power.

The fate of Man and Fae rests on destroying the book and recovering the long-lost Song of Making, the sole magic that can repair the fragile fabric of the earth. But to achieve these aims, sidhe-seers, the Nine, Seelie, and Unseelie must form unlikely alliances and make heart-wrenching choices. For Barrons and Jada, this means finding the Seelie queen, who alone can wield the mysterious song, negotiating with a lethal Unseelie prince hell-bent on ruling the Fae courts, and figuring out how to destroy the Sinsar Dubh while keeping Mac alive.

This time, there’s no gain without sacrifice, no pursuit without risk, no victory without irrevocable loss. In the battle for Mac’s soul, every decision exacts a tremendous price.

Look for all of Karen Marie Moning’s sensational Fever novels:
DARKFEVER | BLOODFEVER | FAEFEVER | DREAMFEVER | SHADOWFEVER | ICED | BURNED | FEVERBORN | FEVERSONG

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The latest installment in M.A. Lawson’s thrilling Kay Hamilton series, K Street finds the ex-DEA agent working solo to uncover the motivations behind a gruesome shooting at a covert intelligence agency in Washington, D.C.

It’s been almost a year since Kay Hamilton was fired from the DEA for going rogue. Since then, she’s been employed by the Callahan Group, a covert intelligence agency based in Washington, D.C. Her job description is as dubious as the people she works for, and the undercover mission that nearly killed her in Viking Bay has Hamilton questioning the legitimacy of her employers.

When Hamilton arrives at the Callahan Group’s K Street office to tender her resignation, she unwittingly interrupts a deadly heist during which the robbers have stolen the company safe and left her boss gravely injured. She knows that Thomas Callahan doesn’t keep much cash in the safe—the men must have been after something other than money. But before Callahan slips into a coma, he whispers a name that will lead Kay to an organization even more secretive than the Callahan Group: the NSA.

Gripping, cinematic, and endlessly entertaining, K Street is the third installment of M.A. Lawson’s Kay Hamilton series, which follows our tough, gun-toting, and fearless heroine as she sets out to find answers and exact revenge.

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Never…
assume you know someone. Harry Blue is the top Sex Crimes investigator in her department. She’s a seasoned pro who’s seen it all. But even she didn’t see this coming: her own brother arrested for the grisly murders of three beautiful young women.

Never…
accept a reassignment to the middle of nowhere “for your own good.” Harry’s been sent to a makeshift town in a desolate landscape-a world full of easy money, plenty of illegal ways to spend it, and a ragtag collection of transient characters who thrive on the fringes of society. A place where little grows, but evil flourishes.

Never…
trust anyone. Looking into a seemingly simple missing persons case, Harry’s been assigned to a new “partner.” But is he actually meant to be a watchdog? Still reeling from the accusations against her brother, Harry can’t even trust her own instincts, which she’s never doubted…until now.

Never…
go anywhere without leaving a trace. Far from the world she knows and desperate to clear her brother’s name, Harry has to mine the dark secrets of her strange new home for answers to a deepening mystery-before she vanishes in a place where no one would ever think to look for her.

Never Never is an edge-of-your-seat thrill ride with enough intrigue and suspense to keep you guessing until the final page. You’ll never be able to put it down.

 

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The Afterlife of Stars moved me more than any other novel I’ve read in recent memory.” –Tim O’Brien
When Russian tanks roll into the public squares of Budapest to crush the Hungarian Revolution, brothers Robert and Attila Beck flee with their family to the Paris townhouse of their great-aunt Hermina. The year is 1956 and as their country changes forever, these two boys transform as well, confronting danger and wonders previously unknown.

As they travel through minefields both real and imagined, Robert and Attila grapple with sibling rivalry, family secrets and incalculable loss. Along the way they encounter mysterious fellow travelers, bewildering sights of a nation in transition and surprising hilarity, all in pursuit of the one place they thought they’d lost forever: home.

Elegant, tender and deeply funny, Joseph Kertes has crafted a journey filled with adventure and heartbreak. A meditation on both family and displacement, THE AFTERLIFE OF STARS is a tale of perseverance, faith and the unbreakable bond of brotherhood.

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An intricately plotted and brilliantly conceived stand-alone sequel to the international bestseller The Swimmer that turns the hottest political topics of our times into a complex, resonant thriller in the vein of John LeCarré.

Yasmine Ajam has fled her past in the rough Stockholm borough Bergort, reinventing herself as a trendspotter in New York City. One day she receives a startling message: there are riots erupting on the streets of Stockholm and they appear to be connected with the disappearance of her brother, Fadi.

Following rumors that Fadi was radicalized and died fighting for ISIS in Syria, Yasmine returns to Stockholm to discover what really happened to her brother. There she becomes entangled in a dangerous web of allegiances and violence that stretches far beyond the gangs on her childhood streets.

Meanwhile, in London, Klara Walldéen has landed a job at a human rights research institute working on a report to predict the effects of privatizing police forces. When Klara travels to Stockholm to present her findings to European Union policymakers, her laptop is stolen and one of her colleagues is pushed in front of an oncoming subway train. As her path collides with Yasmine’s, Klara begins to realize that she may unwittingly be contributing to the sinister agendas of powerful interests who will stop at nothing to attain their goals.

With The Believer, Joakim Zander delivers another “page-turning” (Entertainment Weekly) novel of suspense that is as sophisticated and timely as it is compelling.

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From acclaimed thriller-suspense novelists Heather Graham and Jon Land comes a story of action, mystery, and the endurance of young love in The Rising.

Twenty-four hours. That’s all it takes for the lives of two young people to be changed forever.

Alex Chin has the world on a plate. A football hero and homecoming king with plenty of scholarship offers, his future looks bright. His tutor, Samantha Dixon, is preparing to graduate high school at the top of her class. She plans to turn her NASA internship into a career.

When a football accident lands Alex in the hospital, his world is turned upside down. His doctor is murdered. Then, his parents. Death seems to follow him wherever he goes, and now it’s after him.

Alex flees. He tells Samantha not to follow, but she became involved the moment she walked through his door and found Mr. and Mrs. Chin as they lay dying in their home. She cannot abandon the young man she loves. The two race desperately to stay ahead of Alex’s attackers long enough to figure out why they are hunting him in the first place. The answer lies with a secret buried deep in his past, a secret his parents died to protect. Alex always knew he was adopted, but he never knew the real reason his birth parents abandoned him. He never knew where he truly came from. Until now.

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Bestselling author Beatriz Williams brings together two generations of women inside a Greenwich Village apartment—a flapper hiding an extraordinary past, and a modern-day Manhattanite forced to start her life anew.

When she discovers her banker husband has been harboring a secret life, Ella Gilbert escapes their sleek SoHo loft for a studio in a quaint building in Greenwich Village. But her new refuge isn’t quite what it seems. Her charismatic musician neighbor, Hector, warns her to stay out of the basement after midnight, when a symphony of mysterious noise strikes up—laughter, clinking glasses, jazz piano, the occasional bloodcurdling scream—even though it’s stood empty for decades. Back in the Roaring Twenties, the building hosted one of the city’s most notorious speakeasies.

In 1924, Geneva “Gin” Kelly, a quick-witted flapper from the hills of western Maryland, is a regular at this Village hideaway known as the Christopher Club. Caught up in a raid, Gin lands in the office of Prohibition enforcement agent Oliver Anson, who persuades her to help him catch her stepfather, Duke Kelly, one of Appalachia’s most notorious bootleggers.

Sired by a wealthy New York scion who abandoned her showgirl mother, Gin is nobody’s fool. She strikes a risky bargain with the taciturn, straight-arrow Revenue agent, even though her on-again, off-again Princeton beau, Billy Marshall, wants to make an honest woman of her and heal the legacy of her hardscrabble childhood. Gin’s alliance with Anson rattles Manhattan society, exposing sins that shock even this free-spirited redhead—sins that echo from the canyons of Wall Street to the mountain hollers of her hometown.

As Ella unravels the strange history of the building—and the family thread that connects her to Geneva Kelly—she senses the Jazz Age spirit of her incandescent predecessor invading her own shy nature, in ways that will transform her life in the wicked city. . .

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You’ll have your deposit within seven business days, just like it says on Getaway.com. I’ve put through a refund to your credit card for the full amount, minus $200 to replace the stained sheets…

Miranda

When 30-year-old Dawn reads Miranda’s email, she sees red. People have always told Dawn she’s beautiful, and she just hopes they don’t see beneath—to how she grew up, to what she’s always tried to outrun. She revels in her getaways with her perfect (maybe too perfect) husband, the occasional long weekend in luxurious homes, temporarily inhabiting other people’s privileged lives. Miranda’s email strikes a nerve, with its lying intimation that Dawn is so dirty you need to throw out her sheets.

Beware of your “host”

I wouldn’t have left a review at all, if I didn’t feel it was my civic duty to warn others…

57-year-old Miranda thought she’d seen it all, but she can’t believe her eyes when she reads Dawn’s review. She’s a doctor’s wife but she needs that rental money, desperately. People might think her life is privileged, but they don’t know what’s really going on. They don’t know about her son. She won’t take this threat to her livelihood—to her very life—lying down.

Two very different women with this in common: Each harbors her own secret, her own reason why she can’t just let this go. Neither can yield, not before they’ve dredged up all that’s hidden, even if it has the power to shatter all they’ve built.

This is not over.

This is so not over.

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The stunning second novel of a trilogy that began with Outline, one of The New York Times Book Review’s ten best books of 2015

In the wake of her family’s collapse, a writer and her two young sons move to London. The process of this upheaval is the catalyst for a number of transitions―personal, moral, artistic, and practical―as she endeavors to construct a new reality for herself and her children. In the city, she is made to confront aspects of living that she has, until now, avoided, and to consider questions of vulnerability and power, death and renewal, in what becomes her struggle to reattach herself to, and believe in, life.

Filtered through the impersonal gaze of its keenly intelligent protagonist, Transit sees Rachel Cusk delve deeper into the themes first raised in her critically acclaimed novel Outline and offers up a penetrating and moving reflection on childhood and fate, the value of suffering, the moral problems of personal responsibility, and the mystery of change.

In this second book of a precise, short, yet epic cycle, Cusk describes the most elemental experiences, the liminal qualities of life. She captures with unsettling restraint and honesty the longing to both inhabit and flee one’s life, and the wrenching ambivalence animating our desire to feel real.

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An electrifying first collection from one of the most exciting short story writers of our time

Ottessa Moshfegh’s debut novel Eileen was one of the literary events of 2015. Garlanded with critical acclaim, it was named a book of the year by The Washington Post and the San Francisco Chronicle, nominated for a National Book Critics Circle Award, short-listed for the Man Booker Prize, and won the PEN/Hemingway Award for debut fiction. But as many critics noted, Moshfegh is particularly held in awe for her short stories. Homesick for Another World is the rare case where an author’s short story collection is if anything more anticipated than her novel.

And for good reason. There’s something eerily unsettling about Ottessa Moshfegh’s stories, something almost dangerous, while also being delightful, and even laugh-out-loud funny. Her characters  are all unsteady on their feet in one way or another; they all yearn for connection and betterment, though each in very different ways, but they are often tripped up by their own baser impulses and existential insecurities. Homesick for Another World is a master class in the varieties of self-deception across the gamut of individuals representing the human condition. But part of the unique quality of her voice, the echt Moshfeghian experience, is the way the grotesque and the outrageous are infused with tenderness and compassion.  Moshfegh is our Flannery O’Connor, and Homesick for Another World is her Everything That Rises Must Converge or A Good Man is Hard to Find. The flesh is weak; the timber is crooked; people are cruel to each other, and stupid, and hurtful. But beauty comes from strange sources. And the dark energy surging through these stories is powerfully invigorating. We’re in the hands of an author with a big mind, a big heart, blazing chops, and a political acuity that is needle-sharp. The needle hits the vein before we even feel the prick.

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“Extraordinary…Hilarious…Elegantly written, Rooney creates a glorious paean to a distant literary life and time―and an unabashed celebration of human connections that bridge past and future.
Publishers Weekly (starred and boxed)

Fall 2016 Library Journal Editors’ Pick

“In my reckless and undiscouraged youth,” Lillian Boxfish writes, “I worked in a walnut-paneled office thirteen floors above West Thirty-Fifth Street…”

She took 1930s New York by storm, working her way up writing copy for R.H. Macy’s to become the highest paid advertising woman in the country. It was a job that, she says, “in some ways saved my life, and in other ways ruined it.”

Now it’s the last night of 1984 and Lillian, 85 years old but just as sharp and savvy as ever, is on her way to a party. It’s chilly enough out for her mink coat and Manhattan is grittier now―her son keeps warning her about a subway vigilante on the prowl―but the quick-tongued poetess has never been one to scare easily. On a walk that takes her over 10 miles around the city, she meets bartenders, bodega clerks, security guards, criminals, children, parents, and parents-to-be, while reviewing a life of excitement and adversity, passion and heartbreak, illuminating all the ways New York has changed―and has not.

A love letter to city life in all its guts and grandeur, Lillian Boxfish Takes a Walk by Kathleen Rooney paints a portrait of a remarkable woman across the canvas of a changing America: from the Jazz Age to the onset of the AIDS epidemic; the Great Depression to the birth of hip-hop.

Lillian figures she might as well take her time. For now, after all, the night is still young.

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A stunningly original debut collection about lives across history marked by violence and longing.

A brother and sister turn outlaw in a wild and brutal landscape. The daughter of a diplomat disappears and resurfaces across the world as a deadly woman of many names. A young Philadelphia boy struggles with the contradictions of privilege, violence, and the sway of an incarcerated father. A monk in sixteenth century England suffers the dissolution of his monastery and the loss of all that he held sacred.

The characters in The Man Who Shot Out My Eye Is Dead, Benz’s wildly imaginative debut, are as varied as any in recent literature, but they share a thirst for adventure which sends them rushing full-tilt toward the moral crossroads, becoming victims and perpetrators along the way. Riveting, visceral, and heartbreaking, Benz’s stories of identity, abandonment, and fierce love come together in a daring, arresting vision.

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“A phenomenal achievement.”—Jeffery Deaver

“A gem of a whodunit.”—Mary Kubica, author of The Good Girl

It’s 1965 in a tight-knit working-class neighborhood in Queens, New York, and Ruth Malone–a single mother who works long hours as a cocktail waitress–wakes to discover her two small children, Frankie Jr. and Cindy, have gone missing. Later that day, Cindy’s body is found in a derelict lot a half mile from her home, strangled. Ten days later, Frankie Jr.’s decomposing body is found. Immediately, all fingers point to Ruth.

As police investigate the murders, the detritus of Ruth’s life is exposed. Seen through the eyes of the cops, the empty bourbon bottles and provocative clothing which litter her apartment, the piles of letters from countless men and Ruth’s little black book of phone numbers, make her a drunk, a loose woman–and therefore a bad mother. The lead detective, a strict Catholic who believes women belong in the home, leaps to the obvious conclusion: facing divorce and a custody battle, Malone took her children’s lives.

Pete Wonicke is a rookie tabloid reporter who finagles an assignment to cover the murders. Determined to make his name in the paper, he begins digging into the case. Pete’s interest in the story develops into an obsession with Ruth, and he comes to believe there’s something more to the woman whom prosecutors, the press, and the public have painted as a promiscuous femme fatale. Did Ruth Malone violently kill her own children, is she a victim of circumstance–or is there something more sinister at play?

Inspired by a true story, Little Deaths, like celebrated novels by Sarah Waters and Megan Abbott, is compelling literary crime fiction that explores the capacity for good and evil in us all.

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“This winter’s cathartic read: a story that feels familiar yet wholly original, like every heartbreak ever.”–Marie Claire

“An emotional page-turner”–
Cosmopolitan

A Popsugar Winter Read pick

Julia and Evan fall in love as undergraduates at Yale. For Evan, a scholarship student from a rural Canadian town, Yale is a whole new world, and Julia–blond, beautiful, and rich–fits perfectly into the future he’s envisioned for himself. After graduation, and on the eve of the great financial meltdown of 2008, they move together to New York City, where Evan lands a job at a hedge fund. But Julia, whose privileged upbringing grants her an easy but wholly unsatisfying job with a nonprofit, feels increasingly shut out of Evan’s secretive world.

With the market crashing and banks failing, Evan becomes involved in a high-stakes deal at work–a deal that, despite the assurances of his Machiavellian boss, begins to seem more than slightly suspicious. Meanwhile, Julia reconnects with someone from her past who offers a glimpse of a different kind of live. As the economy craters, and as Evan and Julia spin into their separate orbits, they each find that they are capable of much more–good and bad–than they’d ever imagined.

Rich in suspense and insight, Anna Pitoniak’s gripping debut reveals the fragile yet enduring nature of our connections: to one another and to ourselves. THE FUTURES is a glittering story of a couple coming of age, and a searing portrait of what it’s like to be young and full of hope in New York City, a place that so often seems determined to break us down–but ultimately may be the very thing that saves us.

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A mesmerizing debut set in Syria on the cusp of the unrest, A Word for Love is the spare and exquisitely told story of a young American woman transformed by language, risk, war, and a startling new understanding of love.

It is said there are ninety-nine Arabic words for love. Bea, an American exchange student, has learned them all: in search of deep feeling, she travels to a Middle Eastern country known to hold the “The Astonishing Text,” an ancient, original manuscript of a famous Arabic love story that is said to move its best readers to tears. But once in this foreign country, Bea finds that instead of intensely reading Arabic she is entwined in her host family’s complicated lives–as they lock the doors, and whisper anxiously about impending revolution. And suddenly, instead of the ancient love story she sought, it is her daily witness of a contemporary Romeo and Juliet-like romance–between a housemaid and policeman of different cultural and political backgrounds–that astonishes her, changes her, and makes her weep. But as the country drifts toward explosive unrest, Bea wonders how many secrets she can keep, and how long she can fight for a romance that does not belong to her. Ultimately, in a striking twist, Bea’s own story begins to mirror that of “The Astonishing Text” that drew her there in the first place–not in the role of one of the lovers, as she might once have imagined, but as the character who lives to tell the story long after the lovers have gone.

With melodic meditation on culture, language, and familial devotion. Robbins delivers a powerful novel that questions what it means to love from afar, to be an outsider within a love story, and to take someone else’s passion and cradle it until it becomes your own.

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Spoken about only in whispers, the Nowhere Man can only be reached by the truly desperate, he can ―He will do anything to save them.

Evan Smoak is the Nowhere Man.

Taken from a group home at twelve, Evan was raised and trained as part of the Orphan Program, an off-the-books operation designed to create deniable intelligence assets―i.e. assassins. Evan was Orphan X. He broke with the Program, using everything he learned to disappear and reinvent himself as the Nowhere Man.

But his new life is interrupted when a surprise attack comes from an unlikely angle and Evan is caught unaware. Captured, drugged, and spirited off to a remote location, he finds himself heavily guarded and cut off from everything he knows. His captors think they have him trapped and helpless in a virtual cage but they don’t know who they’re dealing with―or that they’ve trapped themselves inside that cage with one of the deadliest and most resourceful men on earth.

Continuing his electrifying series featuring Evan Smoak, Gregg Hurwitz delivers a blistering, compelling new novel in the series launched with the instant international bestseller, Orphan X.

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Charles Stross builds a new series with Empire Games. Expanding on the world he created in the Family Trade series, a new generation of paratime travellers walk between parallel universes. The year is 2020. It’s seventeen years since the Revolution overthrew the last king of the New British Empire, and the newly-reconstituted North American Commonwealth is developing rapidly, on course to defeat the French and bring democracy to a troubled world. But Miriam Burgeson, commissioner in charge of the shadowy Ministry of Intertemporal Research and Intelligence―the paratime espionage agency tasked with catalyzing the Commonwealth’s great leap forward―has a problem. For years, she’s warned everyone: “The Americans are coming.” Now their drones arrive in the middle of a succession crisis.

In another timeline, the U.S. has recruited Miriam’s own estranged daughter to spy across timelines in order to bring down any remaining world-walkers who might threaten national security.

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In a riveting, hilarious account, reporter Alexandra Wolfe exposes a world that is not flat but bubbling—the men and women of Silicon Valley, whose hubris and ambition are changing the world.

Each year, young people from around the world go to Silicon Valley to hatch an idea, start a company, strike it rich, and become powerful and famous. In The Valley of the Gods, Wolfe follows three of these upstarts who have “stopped out” of college and real life to live and work in Silicon Valley in the hopes of becoming the next Mark Zuckerberg or Elon Musk. No one has yet documented the battle for the brightest kids, kids whose goals are no less than making billions of dollars—and the fight they wage in turn to make it there. They embody an American cultural transformation: A move away from the East Coast hierarchy of Ivy Leagues and country clubs toward the startup life and a new social order.

Meet the billionaires who go to training clubs for thirty-minute “body slams” designed to fit in with the start-up schedule; attend parties where people devour peanut butter-and-jelly sushi rolls; and date and seduce in a romantic culture in which thick glasses, baggy jeans, and a t-shirt is the costume of any sex symbol (and where a jacket and tie symbolize mediocrity). Through Wolfe’s eyes, we discover how they date and marry, how they dress and live, how they plot and dream, and how they have created a business world and an economic order that has made us all devotees of them.

A blistering, brilliant, and hysterical examination of this new ruling class, The Valley of the Gods presents tomorrow’s strange new normal where the only outward signs of tech success are laptops and ideas.

Let me know if you plan to read any of these!

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